Ana de Armas

Ana de Armas
Nationality	Cuban, Spanish
Birth Date	30 April 1988, Havana, Cuba
Education	Havana's National Theatre of Cuba (Drama School)
Occupation	Actress
Known for	Blade Runner 2049, Knives Out, No Time to Die, Blonde

Ana Celia de Armas Caso (Spanish pronunciation: [ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban and Spanish actress. She began her career in Cuba with a leading role in the romantic drama *Una rosa de Francia* (2006). At the age of 18, she moved to Madrid, Spain, and starred in the popular drama *El Internado* for six seasons from 2007 to 2010.

After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller *Knock Knock* (2015) and the comedy-crime film *War Dogs* (2016). She rose to prominence with her role as the holographic AI projection Joi in the science fiction film *Blade Runner 2049* (2017). For her performance as nurse Marta Cabrera in the mystery film *Knives Out* (2019), she was nominated for the Golden Globe Award for Best Actress – Motion Picture Comedy or Musical. She subsequently portrayed the Bond girl Paloma in the James Bond film *No Time to Die* (2021) and Norma Jeane in the biographical drama *Blonde* (2022). For the latter, de Armas became the first Cuban to be nominated for the Academy Award for Best Actress.

Early Life

De Armas was born in Havana, Cuba, and raised in the small city of Santa Cruz del Norte. Her maternal grandparents were Spanish migrants to Cuba from the regions of Leon and Palencia, both in the north of Spain. Her father Ramón worked in various jobs, including a bank manager, teacher, school principal, and deputy mayor of a town. He previously studied philosophy at a Soviet university. Her mother Ana worked in the human resources section of the Ministry of Education. De Armas has one older brother, Javier, a New York City–based photographer who, in 2020, was questioned by Cuban police due to his critical stance on Decree 349 and his links to artists under government surveillance.

While de Armas grew up with food rationing, fuel shortages, and electricity blackouts during Cuba's Special Period, she has described her early life as happy. During her childhood and adolescence, de Armas had no Internet access and had limited knowledge of popular culture beyond Cuba. She was allowed to watch "20 minutes of cartoons on Saturday and the Sunday movie matinee." Her family did not own a video or DVD player, and she watched Hollywood movies in her neighbor's apartment. She memorized and practiced monologues in front of a mirror, deciding to become an actress when she was 12. In 2002, aged 14, she successfully auditioned to join Havana's National Theatre of Cuba. She sometimes hitchhiked to attend the "rigorous" course. While a student, she filmed three movies. She left the four-year drama course shortly before presenting her final thesis because Cuban graduates are forbidden from leaving the country without first completing three years of mandatory service to the community. At age 18, with Spanish citizenship through her maternal grandparents, she moved to Madrid to pursue an acting career.

Career

Career Beginnings in Spanish Cinema (2006–2013)

In her native Cuba, de Armas had a starring role opposite Álex González in Manuel Gutiérrez Aragón's romantic drama *Una rosa de Francia* (2006). Cuban actor Jorge Perugorría suggested that the director consider de Armas for the role, after meeting her while attending a birthday party with his daughters. The director visited de Armas's drama school and interrupted the sixteen-year-old during her audition to inform her that the role was hers. She traveled to Spain as part of a promotional tour for the film and was introduced to Juan Lanja, who would later become her Spanish agent. She then starred in the movie *El edén perdido* (2007) and had a supporting role in Fernando Pérez's *Madrigal* (2007), filmed at night without the permission of her drama school tutors.

At age 18, de Armas moved to Madrid. Within two weeks of arriving, she met with casting director Luis San Narciso, who had seen her in *Una rosa de Francia*. Two months later, he cast her as Carolina in the drama *El Internado*, in which she starred for six seasons from 2007 to 2010. The television show, set in a boarding school, became popular with viewers and made de Armas a celebrity figure in Spain. In a break from filming, she starred in the successful coming-of-age comedy *Mentiras y Gordas* (2009). Despite the popularity of *El Internado*, de Armas felt typecast and was mainly offered roles as youngsters. She asked to be written out of the show in its second to last season.

After spending a few months living in New York City to learn English, de Armas was persuaded to return to Spain to star in seventeen episodes of the historical drama *Hispania* (2010–2011). She then starred in Antonio Trashorras's horror films *El callejón* (2011) and *Anabel* (2015), and in the drama *Por un puñado de besos* (2014). During a long period without acting work, de Armas participated in workshops at Tomaz Pandur's Madrid theatre company and felt "very anxious" about the lack of momentum in her career.

Transition to Hollywood and Breakthrough (2014–2020)

With encouragement from her newly hired Hollywood agent, she decided to move to Los Angeles. When de Armas first arrived in Los Angeles in 2014, she had to start her career again "from scratch." She spoke very little English and, during early auditions, she often "didn't even know what [she] was saying." She spent four months in full-time education to learn English, not wanting to be confined to playing characters written specifically for Latina actresses. She starred opposite Keanu Reeves in her first Hollywood release—Eli Roth's erotic thriller *Knock Knock* (2015)—and learned her lines phonetically. Despite giving a positive review of the film, Randy Cordova of the *Arizona Republic* found de Armas to be "unconvincing" in her role. Reeves then telephoned de Armas to invite her to star in a Spanish-language role in the thriller *Daughter of God* which he acted in and produced. Producer Mark Downie hoped the film would be a star vehicle for de Armas, but due to executive meddling, *Daughter of God* was severely edited with de Armas' former starring role reduced. The film was ultimately released as *Exposed* in 2016. Frank Scheck of *The Hollywood Reporter* noted that while she was "appealing" in her part, de Armas was unable to demonstrate her "character's intense emotional demands."

De Armas had a supporting role in Todd Phillips's *War Dogs* (2016), acting opposite Miles Teller as the wife of an arms dealer, and again learned her lines phonetically. David Ehrlich of *IndieWire* found her to be "memorable in a thankless role." She starred opposite Édgar Ramírez in the biopic *Hands of Stone* (2016) as the wife of Panamanian boxer Roberto Durán. Despite its delayed release, *Hands of Stone* was the first Hollywood film de Armas had filmed. She was contacted by director Jonathan Jakubowicz while still living in Madrid after watching her in *El Internado* and asked her to travel to Los Angeles to audition for the Spanish-language part. In reviewing the film, Christy Lemire of *RogerEbert.com* described de Armas as "a hugely charismatic presence. But except for a couple of showy moments, she gets little to do besides function as the dutiful wife."

In Denis Villeneuve's futuristic thriller *Blade Runner 2049* (2017), de Armas had a supporting role as Joi, the holographic AI girlfriend of Ryan Gosling's character, a blade runner. Mark Kermode of *The Guardian* said she "brings three-dimensional warmth to a character who is essentially a digital projection." Anthony Lane of *The New Yorker* found her to be "wondrous": "Whenever Joi appears, the movie's imaginative heart begins to race." While the performance was initially discussed as a breakthrough role, the film underperformed commercially, and de Armas spent much of the following year in her native Cuba, where she purchased a house. For her performance, she earned a nomination for the Saturn Award for Best Supporting Actress. Also in 2017, she had a supporting role in the action thriller *Overdrive* as the love interest to Scott Eastwood's character. Stephen Dalton of *The Hollywood Reporter* wrote that she "radiates more kick-ass charisma than her thankless sidekick role might suggest."

Leading Roles and Further Recognition (2021–Present)

In 2021, de Armas reunited with Daniel Craig to play a Bond girl in Cary Joji Fukunaga's *No Time to Die*. Fukunaga wrote the character of a Cuban CIA agent with de Armas in mind. She described the character as bubbly and "very irresponsible." In her short appearance in *No Time to Die*, her character, Paloma, claims to have little training, but proves to be highly skilled while fighting. *No Time to Die* was a commercial success, grossing $774.2 million worldwide, and earned positive reviews. Peter Bradshaw of *The Guardian* praised de Armas' "witty and unworldly turn."

De Armas starred in Adrian Lyne's erotic thriller *Deep Water* (2022), based upon the novel by Patricia Highsmith. She and Ben Affleck play a couple in an open marriage. In 2022, de Armas was cast as Marilyn Monroe in Andrew Dominik's *Blonde*, an adaptation of Joyce Carol Oates's novel. While the film received mixed reviews, de Armas's performance was widely praised, with critics noting the risk of playing the iconic figure. She was awarded the Golden Globe Award for Best Actress in a Motion Picture – Drama and received numerous nominations, including for the Academy Award for Best Actress.

Personal Life

De Armas's personal life has garnered media attention, especially her high-profile relationships. She was married to Spanish actor Marc Clotet from 2011 to 2013. In 2020, she began a highly publicized relationship with actor Ben Affleck, although they reportedly broke up in early 2021.

Filmography

Film

• Una rosa de Francia* (2006)
• *War Dogs* (2016)
• *Blade Runner 2049* (2017)
• *No Time to Die* (2021)
• *Blonde* (2022)

Television

• *El Internado* (2007–2010)
• *Hispania* (2010–2011)